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Or the ES-1 is a slide holder, which with the best lens, pretty much looks after all of this, really conveniently. There is benefit of having the slide physically connected to the lens - there is no cam shake. The ES-1 does this. Otherwise, simply using a brief wood board, with a 1/4"-20 UNC screw (regular stuff in any http://edition.cnn.com/search/?text=slides to digital North American hardware shop) to hold the electronic camera at one end with its tripod socket, and holding the slide holder in front of the lens (among them with a short slot for adjustable sliding distance to set focus range to the slide), need to work well.

BR-5 step-down, 2. K 5 ring, 3. ES-1 This Nikon 60 mm f/2.8 D AF macro lens is about $500, and there are other comparable lenses. A single person commented that they leased a macro lens for $40 to do the job inexpensively. It does appear an excellent concept to get your slide mounting/lighting setup mainly worked out before you lease the lens.

There is now a newer 60 mm AF/S lens, and a Nikon 40 mm AF/S DX macro lens, both of which have shorter working distance in front of the lens, and must work (on a DX camera) without any additional spacers. The ES-1 attachés to a 52 mm filter thread, so it ought to fit any brand of DSLR.

There are of course other comparable thread adapters much more economical. The ES-1 copy accessory is generally an empty tube or spacer. It is 2 telescoping tubes really, with a one inch length adjustment. It telescopes to hold the slide from in between 45 mm to 68 mm in front of the lens filter thread.

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The macro lens does all of the optical work. DX video cameras: (APS-C, 1.5 x crop aspect) The ES-1 is designed for a complete frame video camera using the Nikon 55 mm f/2.8 macro lens. The issue is that for today's DX digital SLR with the 1.5 x or 1.6 x lens crop factor, the 35 mm slide is half again bigger than the DX sensor.

The 1.5 x crop sensor now requires a smaller image, more like a 0.67 reproduction size (which is 1:1.5), to fit the larger slide onto the smaller sensor. That needs a longer operating distance in front of the lens. However the ES-1 does not adjust that far, which indicates that the cropped sensor body (1.5 x or 1.6 x crop factor) requires an extra spacer in front of the lens so the ES-1 can be adapted to hold the slide farther out in front, to look like the smaller sized 0.67 size, so it will not be cropped exceedingly.

Rather, this is speaking of a basic tube about 20 mm long, with 52 mm threads on both ends, that goes between the 60 mm lens and the ES-1, to extend the ES-1, to hold the slide a little further out, to accomplish more far-off concentrate on the DX body.

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So I used the K 5 tube revealed (just the one K 5 threaded tube, and NOT the remainder of the extension set), which works excellent with the ES-1 on DX with a 60 mm D lens. The K 5 tube is an easy aluminum tube, 20 mm long, with 52 mm filter threads at each end, and this use places it in between the lens and the ES-1.

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The ES-1 telescopes almost an inch (24 mm), however 60 mm on a DX body requires this much more (and the telescoping still allows for modification). Discovering that extra extension for a cropped sensing unit body is http://www.bbc.co.uk/search?q=slides to digital the raymondtbjr699.lowescouponn.com/what-hollywood-can-teach-us-about-transfer-slides-into-digital-format issue. See more about the Various situations: Several Nikon users tell me that a Nikon 40 mm f/2.8 G DX macro lens works well with the ES-1 without additional extension or adapter ring (it is a DX lens).

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My 60 mm Nikon AF Micro Nikkor f 2.8 D lens needs a 20 mm additional spacer (added between lens and ES-1) to cover the full slide frame on the Nikon 1.5 x DX DSLR. NOTE: Mine discussed here Transfer Slides into Digital Format href="http://landenfaro269.lucialpiazzale.com/forget-slides-to-digital-10-reasons-why-you-no-longer-need-it">slides to digital raleigh is the older 60 mm D lens. But the newer 60 mm AF-S lens is said to have a much shorter working distance in front of the lens at 1:1 (50 mm brand-new lens vs 71 mm old lens).

An old Nikon 55 mm f/3.5 macro lens on the DX video camera requires about 10 mm extension. These do 1:2, needing their own extension tube (behind the lens) to reach 1:1. However just 1:1.5 is needed to do move copies on DX, and rather, 10 mm extension (in front of lens) lowers the apparent slide size to supply that.

I have not seen this lens, however it is said to have a 90 mm working range at 1:1, so this sounds easily right for slides at 1.6 x crop. A longer macro lens (like 105 mm) can obviously copy slides, but utilizing the ES-1 with them appears less sensible (requires significant extra extension, however possible).

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See the Nikon ES-1 direction sheet. Full frame (FX) electronic cameras: The Transferring Slides to Digital Nikon ES-1 was developed for full frame film bodies to copy mounted slides at 1:1 with a 55 mm macro lens. The ES-1 direction sheet also consists of the 60 mm f/2.8 D lens, defining it offers 0.96 to 1.0 reproduction with the BR-5 installing ring on a full frame electronic camera.

At right is using a full frame D 800 with 60 mm D lens utilizing the ES-1 at its optimum extension (alone, with only the BR-5). It requires less extension for a better bigger cropped view, however this longer 60 mm lens can not focus closer than 1:1. This existing view seems very usable if you crop every one a little (which you most likely wish to do anyhow, for the most part).