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I am speaking of a DSLR with a great macro lens, and the optical quality can be outstanding, but Transferring Slides to Digital rushing through thousands can miss a few information. And there are other choices too, below. Regardless, the outcomes are more than plenty sufficient, assuming the slides are decently exposed, and clean and in good condition.

If you want to be able to see all your old slides once again, then a digital camera can be a really fast method to do it. A Nikon ES-1 slide copy attachment on a Nikon DSLR with a 60 mm f/2.8 D macro lens, and an added 20 mm extension.

To deal with a DX camera (1.5 x crop), the setup as revealed also requires an additional 20 mm extension tube between lens and ES-1 (shown, however not included). The ES-1 is an empty tube, a slide holder which consists of no glass lens, and is developed to hold the slide in front of a 1:1 macro lens (developed for 55 mm focal length on a full frame body).

This macro lens will be optically exceptional to a 10x diopter close up filter on a routine zoom lens. $60 might seem pricey for a slide holder, but the task it does is about invaluable. This short article was composed for the ES-1. I have not used the newer ES-2, I have actually just looked at its user sheet online.

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The ES-2 likewise has 52 mm threads, and offers 2 62 mm thread adapters which work on the full frame cam with both old and new Nikon 60 mm macro lens (the ES-1 does not offer the thread adapters). The Nikon 40 mm lens will fit the 52mm threads, but it is a DX lens, which we are unlikely to own for a complete frame video camera.

My guess is this is substantially understated for a DX lens on a full frame body at 1:1 (however extra extension can always be added as a complete service for the 40 mm or 60mm lenses on bodies with cropped sensors. Using an appropriate extension with this 40 mm DX lens on a complete frame body to extend the holder even more out would not crop, but then it will be a smaller sized image, about 2/3 size, ideal for a cropped sensor, but which obviously can not then fill a complete frame sensing unit.



The extension needed for the ES-2 perhaps may be a little different than the ES-1. The ES-2 is said to be developed for the D 850 video camera, undoubtedly since the D 850 has a direct color negative inversion mode, describing the reason for the supplied film strip holder. However it does suggest a complete frame body (unless extra extension is used as explained here).

The ES-2 has to do with double price of the ES-1, and and the https://en.search.wordpress.com/?src=organic&q=slides to digital ES-1 needs to easily do installed 35 mm slides fully too (but cropped sensing unit bodies will need to add additional extension with either photo copier). The ES-1 is NOT a requirement to copy slides. It is for 35 mm slides, and is created for a 55 mm 1:1 macro lens and a complete frame body (crop factor 1).

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An APS cropped sensing unit body (crop element 1.5) can utilize the ES-1 with 40 to 60 mm macro lenses, however perhaps requiring an appropriate brief extender tube (listed below). This extension length restricts a longer lens with the ES-1. Nevertheless, numerous other kinds of setups (without an ES-1) can of course quickly work if you can make a way to hold the slide to aim any macro lens at it, with the slide evenly lighted from the rear.

Said again: The ES-1 is developed for a 55 mm macro lens at 1:1 on a complete frame cam. The ES-1 will not appropriate for lenses quite longer, for instance, not with 90 or 105 mm. That may still be imaginable Digitalize Slides if enough added extension (several inches) is possible, however that does not seem a common plan.

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However, other plans not using the ES-1 ought to obviously deal with any focal length at any range. Most cases of video camera slide copy operations will need a crop of each completed copy to set accurate borders. Raw images and software can make this crop really easy, maybe done as one bulk operation for all (or lots of).

The finest film scanners were 4000 dpi, and it was discussed then that 3000 dpi was plenty to deal with film detail. A 12 to 24 megapixel video camera with 1:1 macro lens is quite capable of getting the all the resolution that a regular 35 mm slide has to give. And the high quality video camera macro lens is outstanding, compared to what remains in $200 scanners.

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Best case is a slide copy permitting one film dimension to fill the frame (slides smaller than the cam sensor will not fill the frame at 1:1). There is a calculator for copying slides with a digital cam and macro lens. It calculates the necessary zooms and size results, and is basic function, NOT just for the ES-1.

This post is about utilizing the ES-1. However, the ES-1 is not necessarily needed, it is just a slide holder. There definitely are other simple methods without it, or for larger movie, or longer lenses. Just put the video camera on a tripod and goal it at the slide, lighted from behind.

So, you can just develop some method to position the film at the best distance out in front of the macro lens. The slide holder will be the just hard part, but it need not be sophisticated (you will end up all your slides pretty early, and run out use for it.) The video camera lens ought to https://en.wikipedia.org/wiki/?search=slides to digital be 90 degrees straight onto the slide.